Full panel mockup · the fourth plugin
The hard case for the kit: Extract has no zones and no per-note modulation. It is a transcription workbench — source in, notes out — so time runs along x and pitch runs up y, the reverse of every other plugin. Same bezel, plates, cells, trays, tab and knobs throughout; only what they contain changed.
A transcription workbench. Audio in, notes out — with every detection left open to inspection and correction.
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Trial · 14 days left
Every other plugin puts pitch along x and reads one instant. Extract reads a take, so time takes x and pitch stands up on y — which means the keyboard stands on its end at the left edge of the roll. It is the same component, rotated, and the rail above still does what it always did: show the whole thing and let you drag a window through it.
Extract has no zones, so it would be a lie to give it a three-colour ramp. It runs a single rose accent with lightness carrying confidence — a faint note is one the detector is unsure of, which is exactly what you are hunting for when you check a transcription. The split guides are drawn in neutral, since which zone a note lands in is the next plugin's business.
The divider in the knob bay is real: Onset and Length require re-running the model, while Min Note and BPM re-apply to cached notes instantly. That split is in the processor already — postProcess on m_rawNotes versus a fresh job — so the panel should show it. Analyse lights up when the left pair is dirty.
In Pan, Delay and Reverb the tray held the zone context. Extract has no zones, so it holds the output: the slot name, Save Slot, Export MIDI. Same component, same place, and still the answer to “what is this panel about, one level up from the knobs”.